Minimalism in architecture: architecture as a language of its identity | Minimalizam u arhitekturi: kako jezik arhitekture predstavlja njen identitet |
Architecture and Urbanism, Review paper [pdf] | Arhitektura i urbanizam, Pregledni rad [pdf] |
ID: 3.2012.34.2 Number: 34 Month: 4 Year: 2012 UDC: 72.038.42 [tmx] [bow] |
Dragana Vasilski Institution: Union University Nikola Tesla, Belgrade Mail: dvasilski@fgm.edu.rs | Dragana Vasilski Institucija: Univerzitet Union Nikola Tesla, Beograd E-pošta: dvasilski@fgm.edu.rs |
Abstract Every architectural work is created on the principle that includes the meaning, and then this work is read like an artifact of the particular meaning. Resources by which the meaning is built primarily, susceptible to transformation, as well as routing of understanding (decoding) messages carried by a work of architecture, are subject of semiotics and communication theories, which have played significant role for the architecture and the architect.
Minimalism in architecture, as a paradigm of the XXI century architecture, means searching for essence located in the irreducible minimum. Inspired use of architectural units (archetypical elements), trough the fatasm of simplicity, assumes the primary responsibility for providing the object identity, because it participates in language formation and therefore in its reading. Volume is form by clean language that builds the expression of the fluid areas liberated of recharge needs. Reduced architectural language is appropriating to the age marked by electronic communications. | Apstrakt Svako arhitektonsko delo nastaje na principu koji sadrži određeni smisao, a zatim se to delo čita kao artefakt tog određenog značenja. Sredstva sa kojima se najpre značenje gradi, a koja su podložna transformacijama, kao i usmeravanje razumevanja poruka (dekodiranje) koje arhitektonsko delo nosi, predmet su teorija semiologije i komunikacija, koje su odigrale i za arhitekturu i za arhitekte značajnu ulogu. Minimalizam u arhitekturi, kao paradigma arhitekture XXI veka, predstavlja traganje za suštinom koja se nalazi u nesvodljivom minimumu. Nadahnuta upotreba arhitektonskih celina (arhetipskih elemenata), kroz fantazmu jednostavnosti, preuzima najveću odgovornost za davanje identiteta objektu, jer učestvuje u formiranju njegovog jezika i zbog toga i u njegovom čitanju. Čist jezik formira volumen koji gradi ekspresiju fluidnog prostora oslobođenog potrebe za dopunjavanjem. Svedeni jezik arhitekture odgovara dobu obeleženom elektronskim komunikacijama. |
Keywords: language, semiotics, architecture, minimalism, expression, archetypical elements, wall, window, stairs | Ključne reči: jezik, semiotika, arhitektura, minimalizam, izraz, arhetipski elementi, zid, prozor, stepenice |
Pages: 42-65 | Strane: 42-65 |